Vermilion-D Alice Syndrome, a symphonic metal doujin circle led by composer Setsuna, bid farewell with their last song "Tenjo Tenge," marking the end of an era earlier this month. Setsuna, in an announcement on X, decided to formally conclude the VDAS project after about seven years, releasing a new and final song that encapsulates the band's signature style.

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The composition, titled “Tenjo Tenge” (天上天下), maintains the majestic symphonic metal essence while delving into themes of existential struggle and transcendence. Vocalist Rib:Yuhki, known for his work with Imperial Circus Dead Decadence, not only lent his voice to the track but also crafted the CD artwork, depicting a divine figure overlooking a dark landscape.

Setsuna clarified that the decision to end VDAS and the “Kokuyasou” (黒夜葬) project was driven by the belief that they had expressed all they intended through these creative ventures. Despite the conclusion, Setsuna expressed gratitude for the support and stated that as long as their music resonates with listeners, its legacy will endure.

As a long-time VDAS enthusiast, the release of “Tenjo Tenge” initially sparked excitement, only to be followed by a sense of melancholy as the announcement sunk in. Having savored the song for weeks, the realization that it might be the last from Setsuna evoked a deep appreciation for the unique essence of VDAS. Fans can explore the band's discography on their official YouTube channel, with notable works like the redefined “-F- / Anastasis” edition from 2019.

Prior releases from Vermilion-D Alice Syndrome have undergone remastering, offering fans a chance to rediscover the band's evolution. It is worth noting that the band's name was previously spelled with two L’s, distinguishing it from its current single-L spelling. Fans eager to delve deeper into VDAS's music can explore their diverse catalog, which exemplifies their distinctive blend of symphonic metal and thematic depth.

While the conclusion of VDAS may mark the end of an era, it also opens the door to new possibilities for Setsuna and collaborators. The legacy of VDAS, characterized by its dark and atmospheric soundscapes, is likely to resonate with fans and fellow musicians, serving as a testament to the band's impact on the doujin music scene.

In a landscape where artistic projects often evolve and transition, VDAS's final song stands as a poignant reminder of the band's creative journey. As fans reflect on the music and artistry that defined VDAS, they carry forward the band's legacy, ensuring that its impact endures beyond the final notes of “Tenjo Tenge.”

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