Metal Church Rebuilds with Force on “Congregation of Annihilation”

Metal Church faces a unique challenge on their 2023 release, “Congregation of Annihilation.” Following the tragic passing of vocalist Mike Howe, the band steps forward with a new singer, Marc Lopes, leaving fans wondering if they can recapture the magic of their earlier works.

The answer is a resounding yes, but with a caveat. “Congregation of Annihilation” isn’t simply a retread of past glories. It’s a return to a more aggressive thrash metal sound reminiscent of their early albums, while still forging a new path with Lopes at the helm.

Lopes’ vocals are the biggest change. He possesses a powerful, almost operatic range, that some might find a departure from Howe’s signature snarl. However, Lopes proves himself a worthy successor, delivering soaring highs and throat-shredding growls that perfectly complement the music’s intensity.

The album wastes no time showcasing its newfound aggression. Opening track “Another Judgement Day” explodes with a furious riff that wouldn’t be out of place on albums like “Metal Church” or “The Dark.” Tracks like “The Shadow Within” and “Hall of Lies” continue this vein, pummeling the listener with relentless double-bass drumming and searing guitar work.

Guitarists Kurdt Vanderhoof and Rick Van Zandt remain a formidable force, weaving intricate solos and chugging riffs that harken back to the band’s thrash roots. The rhythm section of bassist Steve Unger and drummer Jeff Plate provides a tight and dynamic foundation, propelling the music forward with unrelenting power.

However, “Congregation of Annihilation” isn’t all breakneck speed. Tracks like “Fake Healer” showcase the band’s ability to incorporate melody and atmosphere into their sound. The closing ballad, “Monument,” provides a moment of respite with its soaring vocals and melancholic piano melody.

The album isn’t without its minor stumbles. A few tracks like “Human Disease” feel derivative, and some might find Lopes’ vocals a bit over-the-top at times. However, these are minor quibbles in the grand scheme of things.

Overall, “Congregation of Annihilation” is a successful reinvention for Metal Church. The band proves they can still deliver powerful and relevant music, even with a new singer at the helm. Fans of their early, thrash-oriented work will find much to enjoy, while newcomers will discover a band that hasn’t lost its edge.


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