Malevolence Clash with National Trust Over Music Video Dispute

British metal band Malevolence is currently embroiled in a dispute with the National Trust, a nature conservation organization in the United Kingdom. The clash stemmed from the band’s release of a new music video for their song “Salt The Wound” from the upcoming album “Where Only The Truth Is Spoken,” set to be released on June 20.

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Malevolence, known for their metalcore style and hailing from Sheffield, intended to showcase their pride for their hometown through the video. Vocalist Alex Taylor highlighted that the video was shot entirely in Sheffield and its surrounding areas, capturing the essence of the northern UK’s picturesque landscapes.

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However, the National Trust raised objections, prompting Malevolence’s record label, Nuclear Blast, to remove the video. The conservation group claimed that the band did not have the necessary permissions to film in certain locations featured in the video, sparking a public dispute between the two parties.

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In response to the removal of their video, Malevolence issued a statement expressing disappointment at the situation. The band emphasized that the video was a tribute to their roots and expressed pride in the creative work they had produced. Despite efforts to resolve the conflict, the video was taken down, leading to a public outcry from the band’s supporters.

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The National Trust defended its actions by stating that any commercial filming in their protected areas requires prior permission and potentially entails associated fees. The organization underscored the need to balance human activities with nature conservation efforts and clarified that the video was uploaded prematurely, before a formal agreement could be reached.

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Subsequently, an anonymous user re-uploaded the video on YouTube under the account name “Trust Issues,” making it accessible to viewers once again. The incident highlighted the complexities of balancing artistic expression with environmental preservation and the challenges faced by creatives seeking to capture natural landscapes for commercial purposes.

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This dispute between Malevolence and the National Trust underscores the ongoing tensions between artistic freedom and environmental stewardship. As musicians continue to push boundaries in their creative endeavors, conflicts with conservation groups may arise, necessitating a delicate balance between cultural expression and ecological preservation.

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