Church of Misery, the legendary Japanese doom metal band, has released their seventh album, “Born Under A Mad Sign,” showcasing their unwavering commitment to Sabbathian riffs and dark subject matter. With almost three decades in the music scene and a revolving door of band members, bassist Tatsu Mikami remains the driving force behind the band’s signature sound.
Returning original singer Kazuhiro Asaeda adds to the familiarity of Church of Misery’s gritty, riff-heavy style that fans have come to love over the years. The album stays true to the band’s roots, delivering a raw and garage-like quality that sets them apart in the metal scene.
Church of Misery’s latest offering is a testament to their consistency and dedication to crafting music that embodies a sleazy, seedy, B-movie vibe. The album’s greasy riffs, pulsating basslines, and eerie themes create a sonic experience that resonates with fans of bands like Black Sabbath, Electric Wizard, and Uncle Acid and the Deadbeats.
Despite lineup changes and the passage of time, Church of Misery continues to captivate listeners with their unique blend of doom metal. Tatsu Mikami’s vision and musical direction have kept the band’s essence intact, ensuring that each album stays true to their distinctive style.
“Born Under A Mad Sign” is a solid addition to Church of Misery’s discography, earning a verdict of 4/5 for its consistent delivery of dark, riff-driven tracks. Fans of the band and the genre alike will appreciate the band’s unwavering dedication to their craft and their ability to transport listeners to a realm of gritty, atmospheric metal.
With a sound that pays homage to the pioneers of the genre while carving out their own niche, Church of Misery remains a force to be reckoned with in the metal landscape. Their latest album cements their status as one of the most influential and enduring bands in the doom metal genre.
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