Support Loverboy
π€ Add This to Your CollectionTracklist
- Jump (live) (4:30)
- Lucky Ones (live) (4:04)
- Lady of the 80βs (live) (6:17)
- Take Me to the Top (live) (6:57)
- Itβs Your Life (live) (4:01)
- Gangs in the Street (live) (5:02)
- Turn Me Loose (live) (6:28)
- The Kid Is Hot Tonight (live) (6:05)
- When Itβs Over (live) (5:26)
- Working for the Weekend (live) (4:03)
About the Band
Loverboy is a Canadian rock band formed in Calgary, Alberta in 1979. Loverboy's hit singles, particularly "Turn Me Loose" and "Working for the Weekend", have become arena rock staples and are still heard on many classic rock and classic hits radio stations across Canada and the United States. After being rejected by many American record labels, Loverboy signed with Columbia/CBS Records Canada and began recording the debut album on March 20, 1980. Founding members were lead singer Mike Reno (previously with Moxy as Mike Rynoski), guitarist Paul Dean (previously with Scrubbaloe Caine and Streetheart), keyboardist Doug Johnson, bassist Jim Clench (replaced after one gig by Scott Smith) and drummer Matt Frenette. Throughout the 1980s, Loverboy accumulated numerous hit songs in Canada and the United States, earning four multi-platinum albums and selling millions of records.
Source: Wikipedia
Album Review
Loverboy's 'Live in β82' captures the raw energy and infectious enthusiasm of the band's early years, delivering a high-octane performance that showcases their signature blend of hard rock and pop sensibilities. The album exudes a sense of nostalgia and excitement, with the band's tight musicianship and charismatic stage presence shining through the live recordings. Standout tracks like 'Turn Me Loose' and 'Working for the Weekend' are delivered with an electrifying intensity that will have listeners on their feet and singing along. The production quality is top-notch, capturing the essence of a live Loverboy show with clarity and power. 'Live in β82' serves as a testament to Loverboy's enduring legacy in the heavy metal scene, showcasing their ability to command a stage and connect with audiences on a visceral level.