🎵 Tracklist:
Track 1: Venus in Flames
Track 2: Self‐Dissect
Track 3: The Shape of Fluidity
Track 4: Currents
Track 5: Evil in You
Track 6: House of a Thousand Dreams
Track 7: Hermagorgon
Track 8: Hymn for a Memory Lost
Track 9: The Hand of Creation
🎸 Album Review:
Dool’s sophomore album, ‘The Shape Of Fluidity’, is a captivating and enigmatic journey through the realms of dark rock and metal. This Dutch band has truly come into their own with this release, showcasing a refined sound that is both heavy and hauntingly melodic. From the ethereal vocals to the crushing riffs and atmospheric textures, ‘The Shape Of Fluidity’ is a sonic experience that transports listeners to a realm of introspection and catharsis.
The album opens with “Venus in Flames”, a track that sets the tone for the rest of the record with its brooding atmosphere and dynamic shifts. The haunting vocals of Ryanne van Dorst draw the listener in, weaving a spellbinding narrative that unfolds throughout the album. As the album progresses, tracks like “Self-Dissect” and the title track “The Shape of Fluidity” showcase Dool’s ability to blend heavy, distorted guitars with ethereal melodies, creating a sense of tension and release that is both mesmerizing and exhilarating.
One of the standout tracks on the album is “Evil in You”, a dark and brooding anthem that showcases Dool’s ability to create a sense of unease and disquiet through their music. The swirling guitars and pulsating rhythms create a sense of urgency and intensity, while van Dorst’s vocals soar above the chaos, adding a sense of vulnerability and raw emotion to the track.
Another standout moment on the album is “House of a Thousand Dreams”, a track that combines elements of gothic rock and metal to create a haunting and immersive listening experience. The interplay between the band members is particularly impressive on this track, with each instrument adding depth and texture to the overall sound.
One of the most striking aspects of ‘The Shape Of Fluidity’ is the thematic depth and complexity of the album. The lyrics delve into themes of transformation, self-discovery, and the ever-shifting nature of reality. This is reflected in the music itself, which ebbs and flows like a tide, carrying the listener along on a journey of self-reflection and introspection.
In comparison to Dool’s debut album, ‘Here Now, There Then’, ‘The Shape Of Fluidity’ represents a significant evolution in the band’s sound and songwriting. While their debut album was more straightforward and riff-driven, ‘The Shape Of Fluidity’ sees the band embracing a more atmospheric and nuanced approach to their music. The production on this album is also more polished and immersive, allowing the listener to fully immerse themselves in the sonic landscape that Dool has created.
Overall, ‘The Shape Of Fluidity’ is a powerful and evocative album that showcases Dool’s growth and maturity as a band. From the haunting vocals to the intricate guitar work and atmospheric textures, every element of this album is carefully crafted and executed with precision. This is a record that demands to be listened to in its entirety, as each track flows seamlessly into the next, creating a cohesive and immersive listening experience.
In conclusion, ‘The Shape Of Fluidity’ is a triumph for Dool, solidifying their place as one of the most exciting and innovative bands in the dark rock and metal scene. With this album, Dool has proven that they are not afraid to push boundaries and explore new sonic territories, resulting in a truly captivating and unforgettable listening experience.