A History of Dopethrone

Creation of 'Dopethrone' (2000)

In 2000, Electric Wizard unleashed their groundbreaking third studio album, 'Dopethrone', upon the world. Following the success of their previous release, 'Come My Fanatics...' in 1997, the band was tasked with creating a follow-up by Rise Above Records. However, the production of 'Dopethrone' was riddled with challenges, including drug issues and personal struggles among the band members.

Despite these obstacles, Electric Wizard entered Chuckalumba Studios with only three tracks in hand: the title track 'Dopethrone', 'Funeralopolis', and 'We Hate You'. In a whirlwind three-day recording session, the band captured the raw essence of their music, blending elements of doom metal and stoner rock with influences from legendary acts like Black Sabbath and Motörhead.

Touring and Critical Acclaim (2000–2001)

After the release of 'Dopethrone', Electric Wizard embarked on a tour with Sons of Otis in England, followed by a European tour and their first shows in the United States. The album received rave reviews from publications like Exclaim!, CMJ New Music Monthly, and The Village Voice, solidifying the band's place in the metal scene.

Retrospectively, 'Dopethrone' continued to receive accolades, with Decibel naming it one of the 'Top 20 Stoner Rock Albums of All Time' in 2007, and Terrorizer declaring it the album of the decade in 2009. The impact of 'Dopethrone' on the metal world was undeniable, cementing Electric Wizard as pioneers of the genre.

With its raw power and influential sound, 'Dopethrone' remains a timeless classic in the realm of doom metal and stoner rock. Electric Wizard's legacy is etched in stone, inspiring generations of metalheads to embrace the darkness and embrace the riff.