Trivium’s Matt Heafy and Ihsahn have finally wrapped up the recording of their long-anticipated collaborative black metal album. The project, previously known as Mrityu, has undergone a name change to Ibaraki and is sung entirely in Japanese. After over a decade of discussions and work, Heafy shared that the album is set for release in the coming year and features guest appearances by Behemoth’s Adam “Nergal” Darski.
Heafy disclosed that during the lockdown period, he was able to dedicate time to completing the black metal record with Ihsahn, known for his work with Emperor. The thematic shift from Norse mythology to Japanese folklore was inspired by Ihsahn’s suggestion to tap into Heafy’s Japanese heritage for lyrical content. This shift led to a profound transformation in the project, shaping it into a unique exploration of Japanese stories and mythology.
The album, now named Ibaraki after Trivium’s mascot, is a tribute to Japanese culture in its entirety. From the artwork to the lyrics, the project delves deep into Japanese history, folklore, and the pantheon of Shinto gods and goddesses. Notably, Heafy sings entirely in Japanese on the album, with contributions from both Ihsahn and Nergal, marking a significant departure from traditional black metal themes.
Heafy’s journey in crafting the album reflects a fusion of personal heritage and artistic expression, offering a fresh perspective in a genre often steeped in Western mythologies. The decision to explore Japanese narratives not only adds a distinctive flavor to the music but also opens up new avenues for cultural exploration within the metal scene.
This collaboration between Heafy and Ihsahn signifies a broader trend in metal music, where artists are increasingly embracing diverse cultural influences and pushing boundaries beyond conventional themes. By weaving together elements of Japanese folklore with the raw intensity of black metal, the duo has created a project that promises to captivate audiences with its innovative approach and rich storytelling.
As the metal community eagerly anticipates the release of Ibaraki, the album stands as a testament to the power of musical collaboration and cross-cultural exchange. In a genre known for its boundary-pushing ethos, this venture exemplifies the spirit of artistic evolution and reinvention, offering a glimpse into a realm where tradition meets innovation in a harmonious blend of sound and story.
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