Thrall’s Aokigahara Jukai: A Lackluster Black Metal Offering

Exploring the realm of Australian black metal, one finds a diverse landscape with bands like Ruin, Gospel Of The Horns, and Deströyer 666 making their mark. Thrall emerges from this scene with their album, Aokigahara Jukai, drawing inspiration from the infamous suicide forest at the base of Mount Fuji.

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However, the album fails to captivate from the start, with tracks like “Longing For Death” and “Aokigahara Jukai” falling short due to repetitive structures and lackluster production quality. The listener is left craving more depth and variation as the songs progress.

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Despite the initial disappointment, the album shows some promise towards the latter part. Tracks like “The Pact” and “Ubasute” offer glimpses of potential with their dense compositions and Em Savant’s haunting vocals. Yet, the overall execution falls short of creating a truly engaging experience.

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In comparison to bands like Deströyer 666 and Ruins, who masterfully blend elements to create a captivating sound, Thrall’s approach feels monotonous and uninspired. The vocals, though powerful, often get lost in the mix, failing to convey the album’s dark themes effectively.

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For those seeking dynamic Australian black metal, recommendations steer towards Deströyer 666, Ruins, and the lesser-known Vyrion. These bands offer a more engaging and diverse musical experience compared to Thrall’s repetitive and lackluster presentation.

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In conclusion, Thrall’s Aokigahara Jukai falls short of expectations, scoring a modest 2.0 out of 5.0. While the album has its moments, it ultimately lacks the depth and creativity needed to stand out in the competitive black metal scene.

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Released under Moribund Records, Aokigahara Jukai may appeal to fans of the genre seeking a more subdued and introspective listening experience. However, for those craving a more dynamic and engaging black metal journey, other Australian bands offer a more compelling musical odyssey.

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