Retromorphosis, a band formed by former members of Spawn of Possession, has emerged onto the death metal scene with their debut album, Psalmus Mortis. Spawn of Possession, a highly respected tech death band from Sweden, disbanded in 2017, leaving a void that Retromorphosis aims to fill. The new band features Dennis Röndum, Jonas Bryssling, Erlend Caspersen, Christian Muenzner, and KC Howard, all seasoned musicians with a knack for intricate and heavy music. With the release of Psalmus Mortis, Retromorphosis sets out to carve its own path while paying homage to its predecessor.
While Retromorphosis undoubtedly carries the genetic imprint of Spawn of Possession, they are not merely a carbon copy. The album showcases a blend of cyclonic riffs, technical prowess, and complex drum patterns that define their unique sound. The incorporation of keys and synths adds layers of atmosphere and epic grandeur to their compositions, setting them apart from the standard tech death fare. Each track on Psalmus Mortis is meticulously crafted, balancing technicality with memorable songwriting and a touch of flashiness in the solos.
The album kicks off with the atmospheric instrumental “Obscure Exordium,” setting the stage for a journey through a sonic maze of intricate rhythms and blistering guitar work. Tracks like “Vanished,” “The Tree,” and “Aunt Christie’s Will” showcase Retromorphosis’s ability to blend aggression with melody, creating a dynamic listening experience. The standout piece, “Machine,” clocks in at nine minutes, offering a rollercoaster of chugging riffs, intense atmospheres, and progressive transitions that keep listeners engaged.
Retromorphosis’s musicianship shines throughout the album, with Bryssling and Muenzner delivering mind-bending guitar work, Röndum’s growls adding a brutal edge, and Howard’s drumming providing a solid foundation for the intricate compositions. Caspersen’s bass lines, though slightly subdued at times, add a melodic counterpoint to the overall sound. The production quality of Psalmus Mortis is polished yet retains a raw energy that enhances the listening experience.
Psalmus Mortis is not without its flaws, with some tracks feeling slightly overindulgent or lacking in power. However, the album’s strength lies in its narrative quality, akin to a collection of Poe stories woven into a musical tapestry. Retromorphosis’s storytelling prowess shines through in tracks like “The Tree” and “Retromorphosis,” where themes and melodies intertwine to create a cohesive listening experience.
Overall, Psalmus Mortis is a solid debut that showcases Retromorphosis’s potential to carry on the legacy of Spawn of Possession while pushing the boundaries of tech death metal. With a mix of familiar elements and fresh innovations, the band sets a high standard for themselves in the competitive metal scene of 2025. As they continue to evolve, Retromorphosis promises to be a force to be reckoned with in the realm of modern death metal.
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