Canadian occult rock champions Blood Ceremony return after a seven-year hiatus with “The Old Ways Remain,” an album that both embraces their established sound and hints at exciting new directions. This latest offering is a potent concoction of psychedelic doom, infused with folk influences and a dash of pop sensibility, solidifying their place as one of the genre’s most captivating acts.
A Return to Form with a Twist
From the opening riffs of “The Hellfire Club,” it’s clear Blood Ceremony haven’t lost their touch. Alia O’Brien’s vocals soar with a captivating mix of power and nuance, perfectly complementing the band’s trademark fuzzy guitars and driving rhythms. Tracks like “Ipsissimus” and “The Bonfires of Belloc Coombe” showcase the band’s knack for crafting memorable hooks that linger long after the song fades.
However, “The Old Ways Remain” isn’t simply a rehash of past glories. The album incorporates new elements, subtly expanding Blood Ceremony’s sonic palette. The inclusion of instruments like the flute and saxophone adds a layer of playful experimentation, evident on tracks like “Eugenie” and “Widdershins.” There’s also a noticeable emphasis on melody, with some songs venturing into surprisingly catchy pop territory, as exemplified by the infectious chorus of “Lolly Willows.”
A Celebration of the Occult with a Modern Twist
The album’s lyrical themes remain firmly rooted in the occult, drawing inspiration from mythology, folklore, and the darker aspects of human nature. This thematic focus is complemented by the band’s overall aesthetic, creating a captivating and immersive experience for listeners. However, unlike some bands in the genre, Blood Ceremony avoids being overly esoteric. Their lyrics are evocative and open to interpretation, allowing listeners to connect with the music on a personal level.
A Feast for the Senses: Production and Instrumentation
The production on “The Old Ways Remain” is top-notch, giving each instrument its own space in the mix. The guitars are thick and fuzzed-out, the drums pound with relentless energy, and the bass provides a solid foundation. The aforementioned inclusion of instruments like the flute and saxophone adds a touch of unexpected charm, further enriching the sonic tapestry.
A Haunting Departure: “Hecate” and “Mossy Wood”
The album takes a surprising turn with “Hecate,” a beautiful ballad that breaks away from the heavier soundscapes that dominate the rest of the record. This brief departure showcases O’Brien’s vocal prowess and the band’s ability to explore different emotional territories. The subsequent track, “Mossy Wood,” continues this introspective journey with its melancholic folk-tinged atmosphere.
A Fulfilling Return and a Glimpse of What’s to Come
“The Old Ways Remain” is a triumphant return for Blood Ceremony. The album is a potent blend of the familiar and the new, offering a satisfying listen for longtime fans while remaining accessible to newcomers. The band’s willingness to experiment with new sounds and embrace catchy melodies hints at exciting possibilities for their future endeavors. With this latest offering, Blood Ceremony solidifies their position as a leading force in the realm of psychedelic doom and occult rock, ensuring that the old ways indeed remain relevant and enthralling.
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