Album Review: Wormhole – Almost Human

🎵 Tracklist:
Track 1: System Erase
Track 2: Elysiism
Track 3: Spine Shatter High‐Velocity Impact
Track 4: Data Fortress Orbital Stationary
Track 5: Delta Labs
Track 6: Almost Human
Track 7: Bleeding Teeth Fungus
Track 8: The Grand Oscillation

🎸 Album Review:
**Album Review: Almost Human by Wormhole**

Wormhole’s latest offering, “Almost Human,” is a mind-bending journey through a sonic landscape that blurs the lines between reality and the digital realm. Released on the heels of their critically acclaimed album “Quantum Flux,” Wormhole continues to push the boundaries of technical death metal with their signature blend of intricate instrumentation, futuristic soundscapes, and relentless aggression.

From the moment the album kicks off with “System Erase,” listeners are plunged into a whirlwind of frenetic riffs, dissonant melodies, and machine-gun drumming. The production on “Almost Human” is pristine, allowing every intricate detail of the music to shine through with crystal clarity. The band’s technical prowess is on full display, with guitarist Adam Harris delivering lightning-fast solos and complex polyrhythms that will leave even the most seasoned metalheads in awe.

Thematically, “Almost Human” explores the intersection between man and machine, delving into concepts of artificial intelligence, transhumanism, and the existential questions that arise from our increasingly interconnected world. Tracks like “Data Fortress Orbital Stationary” and “Delta Labs” paint vivid sonic landscapes that evoke images of futuristic dystopias and post-human societies.

Standout tracks on the album include the title track, “Almost Human,” which showcases Wormhole at their most dynamic and experimental. The song seamlessly blends pummeling blast beats with eerie atmospheric passages, creating a sense of unease and tension that is palpable throughout. Vocalist Derrick Ramsey’s guttural growls and haunting clean vocals add an extra layer of intensity to the track, making it a highlight of the album.

Another standout track is “The Grand Oscillation,” a sprawling epic that clocks in at over eight minutes. This track sees the band exploring new territory with its progressive song structures and intricate instrumental passages. The interplay between the guitars and drums is particularly impressive here, with drummer Jason Smith delivering a masterclass in technicality and precision.

In comparison to Wormhole’s previous albums, “Almost Human” represents a natural progression in the band’s sound. While their earlier releases were more focused on sheer brutality and speed, this album sees the band incorporating more atmospheric elements and progressive songwriting techniques. The result is a more dynamic and diverse listening experience that showcases the band’s growth as musicians and songwriters.

Overall, “Almost Human” is a tour de force of technical death metal that solidifies Wormhole’s place at the forefront of the genre. With its intricate compositions, otherworldly soundscapes, and thought-provoking themes, this album is a testament to the band’s relentless creativity and dedication to pushing the boundaries of extreme music.

For fans of technical death metal and progressive metal alike, “Almost Human” is a must-listen that will leave you in awe of Wormhole’s sheer talent and vision. With this album, Wormhole has proven once again that they are a force to be reckoned with in the world of heavy music, and I can’t wait to see where their sonic exploration takes them next.