Tankard, the German thrash metal band from Frankfurt, has been a mainstay in the scene since 1982. While their fellow “Big Teutonic Four” – Kreator, Destruction, and Sodom – dealt in darkness, war, and social commentary, Tankard carved their own niche: thrashing anthems dedicated to the almighty brew. Let’s raise a metaphorical glass and delve into their history.
From Classmates to Tankards (1982-1985):
The story begins with three classmates – Andreas “Gerre” Geremia, Axel Katzmann, and Frank Thorwarth. Initially, Gerre played bass and Frank sang, but they soon swapped roles. Joined by drummer Oliver Werner and second guitarist Bernhard Rapprich, they experimented with names like Avenger and Vortex before stumbling upon “Tankard” in a dictionary, a fitting choice for their future musical direction.
Their early days were filled with the usual struggles of a young band. Their first gig, a 1983 classroom performance, hilariously involved sneaking beer in milk cartons to bypass school rules. They penned their first song, “Ray Death,” a serious track about nuclear war, but their sound would soon veer towards the thrash metal realm.
Two demos, “Heavy Metal Vanguard” (1984) and “Alcoholic Metal” (1985), cemented their thrash style with lyrics that would become their trademark – odes to beer, partying, and good times. The demos found success in the underground scene, catching the attention of Noise Records, who signed them in 1985.
Noise Records and the Rise of “Alcoholic Metal” (1986-1995):
The partnership with Noise Records proved fruitful. Tankard unleashed their debut album, “Zombie Attack,” in 1986, a potent blend of thrash riffs, Gerre’s raspy vocals, and lyrics that would make any beer lover grin. Subsequent albums like “Chemical Invasion” (1988) and “The Meaning of Life” (1990) solidified their reputation as the kings of “Alcoholic Metal.”
Their music videos, often featuring cartoon mascots and tongue-in-cheek humor, became cult favorites. Tracks like “Institutionalized” and “Space Beer” became staples in their live shows, igniting mosh pits and singalongs.
Lineup changes occurred. Bernhard Rapprich left in 1984, replaced by Andy Bulgaropoulos (later Andy Gutjahr). Oliver Werner departed in 1994, with Olaf Zissel taking over the drum throne – a position he holds to this day.
Despite their lighthearted themes, Tankard weren’t afraid of social commentary. Songs like “Don’t Panic” and “W.M.D.” tackled political issues, showcasing a depth beneath the surface of their beer-soaked anthems.
Beyond Noise Records and Continuing Legacy (1996-Present):
After seven albums with Noise Records, Tankard moved on, navigating the changing landscape of the music industry. Albums like “Two-Faced” (1997) and “Kings of Beer” (2000) maintained their signature sound, while exploring new sonic territories.
The new millennium saw Tankard remain active, touring extensively and releasing critically acclaimed albums like “Die With a Beer in Your Hand” (2006) and “One Foot in the Grave” (2012). Their 17th studio album, “R.I.B. (Rest in Beer),” arrived in 2017, proving their creative well remained full.
The Legacy of Tankard:
Tankard’s influence extends beyond the realm of thrash metal. They’ve inspired countless bands, proving that music doesn’t have to be serious to be powerful. Their dedication to beer and good times has created a loyal fanbase across generations.
Today, Tankard continues to tour the world, spreading their message of headbanging, moshing, and raising a glass (or tankard) in celebration of life. They remain a vital part of the thrash metal scene, reminding us that sometimes, the best way to deal with the world’s problems is with a good beer and some head-banging anthems.
So, the next time you crack open a cold one, crank up some Tankard and let the music take you on a journey of thrashing guitars, humorous lyrics, and a celebration of the good life. As Gerre himself might say, “Prosit!” (Cheers!)
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