Taake, the Norwegian black metal band formed in 1993, is a story steeped in controversy, musical evolution, and unwavering dedication to a fiercely independent spirit. Led by the enigmatic Øyvind “Hoest” Thorsen (also known as Nattefrost), Taake has carved a unique path within the black metal scene, challenging conventions and pushing boundaries with their raw aggression, experimentation, and exploration of dark themes.
From Bathory Worship to Defining a Sound (1993-2000):
Taake’s origins lie in Hoest’s fascination with the early works of black metal pioneers Bathory. Their debut album, “Jeanne d’Arc” (1994), reflected this influence, featuring raw lo-fi production, blast beats, and shrieks that embodied the genre’s core tenets. However, Taake wasn’t content with simply emulating their idols. Subsequent albums like “Black Metal” (1999) showcased a band refining their sound, incorporating elements of thrash metal and a greater emphasis on atmosphere.
National Socialist Black Metal and Public Outcry (2000-2008):
The early 2000s marked a tumultuous period for Taake. Hoest’s embrace of National Socialist black metal ideology (NSBM) sparked controversy within the scene. Lyrics and album artwork became overtly nationalistic and hateful, alienating some fans and drawing condemnation from the mainstream. This period also saw the release of critically acclaimed albums like “Pathetism” (2000) and “Doomsday (Here Comes the Sulphur)” (2006), showcasing Taake’s musical evolution with a blackened thrash sound and a continued exploration of dark atmosphere.
Distancing from NSBM and Experimentation (2008-Present):
In the late 2000s, Hoest distanced himself from NSBM, attributing his earlier views to youthful naivety. This shift was reflected in Taake’s music. Albums like “Heilage Land” (2008) and “Stridensvaner” (2014) displayed a newfound musical diversity, incorporating elements of rock and roll, punk, and even traditional folk music. While black metal remained the foundation, Taake’s willingness to experiment defied genre limitations.
Live Performances: A Notorious Spectacle
Taake’s live performances are notorious for their intensity and theatricality. Hoest, often adorned in corpse paint and militaristic attire, commands the stage with a ferocious presence. Pyrotechnics and controversial imagery further contribute to the spectacle, blurring the line between performance and provocation. These shows have been met with mixed reactions, with some praising their raw energy and others criticizing their potentially offensive elements.
A Legacy of Controversy and Musical Innovation
Taake’s legacy is complex and multifaceted. Their embrace of NSBM remains a stain on their history, but their musical evolution and willingness to experiment are undeniable. Albums like “Pathetism” and “Heilage Land” stand as testaments to their creativity, pushing the boundaries of black metal while retaining a raw and aggressive core.
Looking Ahead: A Burning Flame in Black Metal
Despite the controversies, Taake remains a relevant force in the black metal scene. Their unwavering commitment to their vision, combined with Hoest’s enigmatic persona, continues to captivate and challenge audiences. Whether they continue to experiment or return to a more traditional black metal sound, Taake’s burning flame is certain to illuminate the darkness for years to come.
It’s important to note that while Taake’s music may be separated from their past ideology, it’s still important to acknowledge the problematic aspects of their history.
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