A History of Aborted

Title: Unleashing Brutality: A Journey Through the History of Aborted

Aborted is a Belgian death metal band that has been a relentless force in the extreme metal scene since their formation in 1995. Known for their uncompromising brutality, technical prowess, and unrelenting energy, Aborted has solidified their place as one of the most respected and revered bands in the genre. Let’s delve into the history of this powerhouse of extreme metal.

Formed in Waregem, Belgium, by vocalist Sven de Caluwé, Aborted quickly gained attention with their debut EP, “The Necrotorous Chronicles,” released in 1998. The EP showcased the band’s ferocious blend of death metal, grindcore, and black metal influences, setting the stage for what was to come. With a lineup that has seen numerous changes over the years, Sven de Caluwé has remained the driving force behind the band, steering them through various sonic evolutions and lineup shifts.

Aborted’s debut full-length album, “The Purity of Perversion,” released in 1999, further solidified their reputation as a band to watch in the extreme metal scene. With its brutal riffs, guttural vocals, and relentless drumming, the album showcased the band’s technical proficiency and songwriting prowess. Tracks like “Act of Supremacy” and “The Inertia” became instant classics in the death metal underground, earning Aborted a dedicated following of fans hungry for more of their punishing sound.

The years that followed saw Aborted releasing a string of critically acclaimed albums, including “Engineering the Dead” (2001), “Goremageddon: The Saw and the Carnage Done” (2003), and “The Archaic Abattoir” (2005). Each album pushed the boundaries of brutality and technicality, cementing Aborted’s reputation as one of the premier death metal bands in the world. Tracks like “Meticulous Invagination,” “Sanguine Verses (…of Extirpation),” and “Dead Wreckoning” showcased the band’s ability to craft complex, punishing music that left listeners in awe of their sheer intensity.

In 2008, Aborted released “Strychnine.213,” an album that marked a slight shift in their sound towards a more modern and polished production. Tracks like “The Chondrin Enigma” and “A Murmur in Decrepit Wits” showcased the band’s evolving songwriting skills and willingness to experiment with different influences while staying true to their brutal roots.

Aborted continued to push the boundaries of extreme metal with albums like “Global Flatline” (2012), “The Necrotic Manifesto” (2014), and “TerrorVision” (2018). These albums saw the band incorporating elements of deathcore, black metal, and even some progressive influences into their sound, further expanding their sonic palette and solidifying their status as innovators in the genre.

With a reputation for delivering intense live performances and a discography that continues to push the boundaries of brutality, Aborted shows no signs of slowing down. As they continue to evolve and experiment with their sound, one thing remains constant: their unwavering dedication to creating some of the most punishing and uncompromising music in the metal scene. Aborted’s legacy as pioneers of extreme metal is secure, and their place in the pantheon of metal greats is well deserved.