A Flock Named Murder, a Canadian post-black metal trio, unleashes their monumental sophomore album, “Incendiary Sanctum,” marking a significant progression from their debut in 2018. Comprising brothers Ryan and Cam Mueller alongside bassist Mike Wandy, the band skillfully merges black, doom, post, and death metal elements with hints of folk-metal across four expansive tracks.
Drawing inspiration from genre-defining acts like Neurosis, Ulver, and Cult of Luna, A Flock Named Murder embarks on a sonic journey that intricately weaves together intense brutality and mesmerizing atmospheres. The album’s opening track, “Gardens of Embers,” sets the tone with haunting melodies that transition seamlessly into a ferocious onslaught reminiscent of Wolves in the Throne Room.
“Pierced Flesh Catharsis,” though the shortest track, packs a punch with its relentless black metal aggression and intricate guitar work that transitions into melancholic post-metal territories, showcasing the band’s dynamic range and creative prowess within the genre.
Contrasting the brevity of the previous track, “Eulogy Fields” unfolds over a sprawling nineteen minutes, gradually building tension with galloping riffs and atmospheric interludes before culminating in a cathartic eruption of raw emotion and fury. The track navigates through various moods, incorporating classic metal elements and ethereal strings, leading to a climactic finale that mirrors the album’s thematic motifs.
The album’s conclusion, “To Drown in Obsidian Tides,” diverges from the black metal aesthetic, delving into the dense, riff-driven realm of doom metal akin to Candlemass and Saint Vitus. This final track showcases the band’s versatility and concludes the album with a haunting, folk-infused outro, adding a unique dimension to the overall sonic landscape.
Despite their relatively low profile, A Flock Named Murder has shared stages with notable acts like Harakiri for the Sky and Mizmor, reflecting their expansive approach to extreme metal. “Incendiary Sanctum” not only pays homage to their influences but also carves out a distinct sound that is uniquely their own, solidifying their place within the metal scene.
For the latest updates, reviews, and interviews in the heavy metal realm, follow THE RAZORS’S EDGE on social media platforms. A Flock Named Murder’s “Incendiary Sanctum” stands as a testament to the band’s evolution and artistic vision, offering a compelling listening experience that transcends traditional genre boundaries.
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