Unearth, the metal band that rose from the ashes, has returned with their latest album, “The Wretched, The Ruinous,” following the success of their previous work, “Extinction(s).” Fans can expect a familiar sound that stays true to Unearth’s signature style, with a slight twist in tracks like “Broken Arrow,” reminiscent of Queens of the Stone Age’s vibe.
For those craving the essence of vintage metalcore, “Cremation of the Living” delivers all the classic elements – from Gothenburg riffs to anthemic vocals and bone-crushing breakdowns. The resurgence of 2000s metalcore is evident, with younger bands echoing that era, but Unearth stands out as one of the originals showcasing their mastery.
The guitars on the album shine brightly, with Buz McGrath’s and Peter Layman’s intricate melodies paying homage to bands like In Flames and Dark Tranquility. The drumming by Mike Justian, making a comeback, adds a powerful backbone to the band’s sound, especially notable in the title track, where the kick-drum commands attention.
However, one aspect that may divide listeners is Trevor Phipps’s vocal production, characterized by peculiar enunciations that some may find distracting. Despite this, Unearth’s lyrical themes delve into apocalyptic motifs, touching on environmental degradation and humanity’s impact on the planet, a topic that resonates with many in today’s world.
While the band’s message of caution and change is clear, it’s essential to balance progress with preservation, acknowledging both the challenges and successes in environmental conservation efforts worldwide. Unearth’s music serves as a rallying cry for fans, igniting the energy and passion that defines their live performances.
In conclusion, “The Wretched, The Ruinous” stands as a testament to Unearth’s enduring legacy in the metalcore scene. The album’s tracks are poised to become staples in the band’s discography, evoking the raw power and emotion that have solidified Unearth as one of the genre’s greats, ready to captivate audiences once again.
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