Sigh, an avant-garde black metal band hailing from Japan, has unveiled the official video for their re-recorded track “Death With Dishonor.” The song is part of their upcoming release, “I Saw The World’s End (Hangman’s Hymn MMXXV),” commemorating the 25th anniversary of their 2007 album “Hangman’s Hymn.”
The re-recording showcases a more intense and symphonic rendition of the song, featuring elements like double-speed drumming, real trumpet, and violin. Mirai Kawashima, a member of Sigh, expressed that this version amplifies the song’s power, making it a standout piece in their discography. Additionally, the track pays homage to the thrash metal band Whiplash in its closing.
As Sigh prepares for their album release on June 13th through Peaceville, they have lined up a series of live shows across Europe. From performances in Germany, Austria, Finland, Switzerland, Italy, Norway, Bulgaria, and other countries, the band is set to captivate audiences with their unique blend of black metal and avant-garde stylings.
Complementing the metal scene, prominent guitarists Tosin Abasi and Plini have collaborated on a new instrumental track titled “In Captivity.” This joint effort, born out of a songwriting challenge, underscores the innovation and skill present in modern guitar playing, resonating with fans of progressive and technical metal.
Meanwhile, Italy’s Eurovision 2025 representative Lucio Corsi, who secured a notable fifth place finish at the event, has shared a guitar lesson video for his song “Volevo Essere Un Duro.” This initiative not only offers insights into his musical process but also connects with fans through educational content.
American deathcore band Destined For Doom has made waves with their latest single “Echo Chamber,” featuring a guest appearance by Taylor Barber of Left to Suffer. The track, characterized by its intense energy and brutal sound, underscores the ongoing evolution and diversity within the metal genre.
On a different note, legendary band System Of A Down recently concluded a successful tour of South America, showcasing their enduring popularity and global appeal. Despite facing challenges, the band’s ability to draw sold-out crowds highlights their enduring influence in the metal music landscape.
Additionally, Chimaira, a band that had previously announced its disbandment, surprised fans by performing two forgotten tracks at the Milwaukee Metalfest. This unexpected reunion serves as a testament to the band’s legacy and lasting impact on the metal community.
Elsewhere, Sleep Token’s latest album “Even In Arcadia” made a significant impact by debuting at the top of the Billboard 200 chart. The masked British alternative metal band’s success underscores the ongoing relevance and popularity of their unique musical style.
Furthermore, details emerged about the departure of bassist Chris Beattie from Hatebreed, shedding light on the dynamics within the metalcore scene and the challenges faced by bands in maintaining their lineup. The addition of Matt Bachand as a live fill-in reflects the band’s commitment to delivering powerful performances despite lineup changes.
Amidst these developments, King Diamond announced a lineup change for their 2025 European Tour, showcasing the evolving nature of bands and the collaborative spirit that drives the metal music industry forward. These shifts in personnel reflect the dynamic and ever-changing landscape of the metal band scene, highlighting the resilience and adaptability of musicians in pursuing their artistic visions.
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