Delain’s 2012 album, “We Are the Others,” finds the Dutch symphonic metallers venturing further into the realm of pop-infused metal. While retaining the core elements that define their sound – Charlotte Wessels’ soaring vocals, intricate symphonic arrangements, and powerful riffs – “We Are the Others” prioritizes catchy hooks and radio-friendly melodies, potentially dividing fans who favor a heavier approach.
Charlotte Wessels: A Vocal Powerhouse on Polished Tracks
As always, Charlotte Wessels remains the focal point of Delain’s sound. Her vocals are polished and powerful, soaring effortlessly over the music. Tracks like the title track and the energetic “Electricity” showcase her ability to deliver catchy hooks with precision. However, some fans might miss the raw power and operatic flourishes that were more prominent on earlier releases.
Symphonic Elements Take a Backseat: Pop Hooks Reign Supreme
“We Are the Others” marks a shift in Delain’s sound, with symphonic elements taking a backseat to catchy pop melodies and radio-friendly production. Songs like “Get the Devil Out of Me” and “Hit Me With Your Best Shot” (a cover of Pat Benatar’s classic) exemplify this shift, offering a more mainstream-oriented sound that might not resonate with fans who crave the epic orchestral arrangements of their earlier works.
A Touch of Darkness: Exploring Themes of Identity and Belonging
Despite its pop leanings, “We Are the Others” isn’t without its darker undercurrents. The album’s title track and songs like “Generation Me” explore themes of social alienation and the search for belonging. These thematic elements add depth and nuance to the album, preventing it from becoming overly saccharine.
Guest Appearances: A Mixed Bag
The album features a guest appearance by Burton C. Bell (Fear Factory) on the track “Where Is the Blood.” While Bell’s vocals add a touch of industrial aggression, they don’t always mesh seamlessly with Delain’s overall sound. This particular collaboration might feel like a forced attempt to broaden their appeal.
Production Value and Fan Reception: A Polished but Divisive Experience
The production on “We Are the Others” is polished and pristine, highlighting the catchy melodies and powerful vocals. However, this polished aesthetic might alienate some fans who prefer the rawer, more metal-oriented sound of Delain’s earlier releases.
A Catchy, Polished Album, But Not for Everyone
“We Are the Others” is a polished and catchy album that showcases Delain’s evolution towards a more pop-infused sound. While it offers some strong melodies and powerful vocals by Charlotte Wessels, the album’s pop sensibilities might not appeal to fans who prefer Delain’s heavier and more symphonic side. Ultimately, “We Are the Others” is a rewarding listen for those who enjoy catchy metal with pop undertones, but a potentially divisive entry for longtime Delain fans.
Final Verdict: Recommended with Reservations (Especially for Fans of Pop-Metal)
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