Deerhoof’s latest album, “Noble and Godlike in Ruin,” showcases the band’s ability to find beauty in ugliness, much like Frankenstein’s monster. The veteran quartet’s career has been marked by a unique blend of coarse, raucous sounds that defy conventional professionalism. Drawing inspiration from Mary Shelley’s classic tale, the album serves as a DIY Frankenstein creation, embodying a sensitive, dehumanized creature made from various influences.
After a series of experimental projects, Deerhoof returns to familiar territory with this album, offering a raw and abrasive sonic experience. Tracks like “Sparrow Sparrow” and “Ha, Ha Ha Ha, Haaa” feature mangled grooves and chaotic arrangements that push the boundaries of traditional music structures. The album’s overall tone is dense and cluttered, reflecting a sense of controlled chaos akin to a Frankenstein-like creation.
While previous albums captured the band’s live energy, “Noble and Godlike in Ruin” delves into more intricate and layered compositions. The tracks exhibit a radical leftist spirit, addressing political themes with a surreal and poignant approach. Deerhoof’s lyrics speak to the marginalized and oppressed, offering a voice for those often overlooked in society.
One of the standout moments on the album is “Immigrant Songs,” a poignant reflection on the immigrant experience in contemporary America. Lead vocalist Satomi Matsuzaki, who was born in Japan, conveys a powerful message of resilience and defiance in the face of adversity. The track’s stripped-down arrangement and emotive delivery make it a compelling highlight of the album.
Deerhoof’s willingness to tackle challenging themes and push musical boundaries sets them apart as a band unafraid to confront societal issues through their art. The album’s closing track, featuring intense feedback and screaming, leaves a lasting impression, underscoring the band’s commitment to making a statement through their music.
With “Noble and Godlike in Ruin,” Deerhoof continues to evolve their sound while staying true to their experimental roots. The album serves as a testament to the band’s enduring creativity and willingness to explore new sonic territories, solidifying their status as pioneers in the realm of avant-garde music.
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